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Our Short Story Comp Judge

Journalist and media consultant Lynne Walsh, an arts reviewer at the Morning Star, is judging our Short Story Competition this year.

Here’s Lynne’s story…

Lynne Walsh describes herself as a journalist and campaigner, and says it’s not clear which came first.

The desire to be a reporter came early; she says: “My mother complained that, at about 4, I was always up and down the bus, asking other passengers ‘Where are you going? What will you do when you get there?’ Then I’d give my grandparents the headlines, when we arrived for tea: ‘There was a man on the night shift, a lady drinking tea from a red flask, and a little girl like me – she’d lost a button off her best coat.’ Big news in the South Wales Valleys, I reckoned.”

The campaigning [aka kicking up a fuss] crept up on her, as a teenager: “Volunteering for Oxfam, running fundraising events, making speeches – it’s a good training ground, when you’re trying to hide the fact that you’re very shy!”

The love of short stories started young – “My friend Penny and I, walking round the village, creating tales from what we saw around us. One, a ghost story set in the old mine workings, had us running for home; we’d scared ourselves, with our own fiction.”

Love turned to obsession, with trips to ‘town of books’, Hay-on-Wye. “My boyfriend and I would come home with the boot and back seat of the car full of books. We read voraciously – and we wrote: journals, terrible poetry, stories, plays, all that stuff that stays, forgotten, in attics.”

Journalism was a way of telling stories, even when they came from turgid council meetings or traumatic court cases. “There’s a lot of discipline in reporting, a lot of constraints – but at its heart, there are the complicated lives of real people.”

As well as working for newspapers, magazines and radio, Lynne has helped run major campaigns. “My CV says I worked on HIV & Aids campaigns in the 80s and 90s. The story, though, is that I was quite ashamed of my chosen profession at that stage – tabloids writing about a ‘gay plague’. I wanted to work with scientists giving us facts; the challenge was to turn that into something meaningful for ordinary people.”

The CV also shows a stream of clients, with whom Lynne has developed media strategies, coached spokespeople and created events:  Women’s Resource Centre [WRC], Drinkline, National Treatment Agency for Substance Misuse, Hestia, British Association for Counselling, BackCare, National Family Mediation, Mental Health Media, National Appropriate Adult Network, Fair Play for Women and Safe Schools Alliance.

There are personal stories within all of them; “At Drinkline, I voiced all the recordings for their helpline. It did worry me that friends who were concerned about their alcohol intake might call, and get my voice. For some, more of a hindrance than a help!”

At the WRC there was the Women Speak Out! Project, helping speakers make short films to promote their expertise on trafficking, poverty, domestic abuse and slavery. “I met Ntombi, who’d been trafficked, held in Yarls Wood and Holloway. She’s a dancer now, part of an African cultural troupe that performs with incredible joy. She brings a new meaning to the term ‘survivor’. Telling her story makes my heart skip a little beat!”

Lynne handled the UK media work for LGSM [Lesbians and Gays Support the Miners] around the launch of the film ‘Pride’ and the 2015 London march. “There are 101 stories from that series of events – one of them involved my colleague Alison and I moving the entire Tredegar Town Band across a packed parade. We shoved aside baffled Met police, insistent corporate sponsors and anyone who got in our way. That’s the power of the hi-vis jacket.”

There are stories of a different kind in Lynne’s community learning classes. She’s taught hundreds of learners to write accounts of the lives of their families, neighbourhoods, and experiences. Students often get creative; stories embellished, with flights of fancy; incidents become more colourful in the retelling. Lynne lectures at conferences which examine the links between storytelling and health, and is occasionally evangelical about the benefits: “Let them confabulate! Encourage them to create different versions of themselves. Help them understand they can ‘write their own endings’. Why not? It’s not newspaper reporting.

“I teach the basics, of planning, gathering material, structuring the story. I’ll even help them get over anxiety about grammar and syntax. I’ll read poetry, or song lyrics, or ask them to bring in a memento, and tell me its story. What I’m always looking for is the heartbeat of a story – it sounds cheesy and I don’t care, because it’s true – the memorable or quirky or emotional thing that makes me want to tell that story to the next person.”   

Competition entry details….

Poetry Competition

Flash Fiction Competition

Short Story Competition